by J. Thomas Looney
(Text from the first American edition by Frederick A. Stokes Company,
New York: 1920.)

"Vero Nihil Verius."
NB: This text is over 80 years old. Consequently, current Oxfordian scholarship has corrected some errors in this text, paticularly Appendix I - The Tempest.
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"What a wounded name, "Dear son of memory, great heir of fame, |
CHAPTER I - THE STRATFORDIAN VIEW
I-Growing scepticism; Ignatius Donnelly; Anti-Stratfordian authorities; "Shakespeare" and law; "Shakespeare's" education; Halliwell-Phillips
II-William Shakspere's early life; Shakspeare and Burns
III-William Shakspere's three periods; Closing period
IV-The Will; Ben Jonson; Hemming and Condell; Penmanship; The "Shakespeare" manuscripts; The First Folio; Obituary silence
V-William Shakspere's middle period; No participation in publication; Uncertain duration; Uncertain habitation; The great alibi
VI-William Shakspere's silence
VII-Character of contemporary notices; The Stratfordian impossibility; Absence of incidents; No letters
VIII-William Shakspere as actor; Municipal records
IX-As London actor; Accounts of Treasurer of Chamber; Missing Lord Chamberlain's books; Notable omissions
X-SummaryCHAPTER II - CHARACTER OF THE PROBLEM AND METHOD OF SOLUTION
I-Authorship a mystery; A solution required; Literary authorities; "Shakespeare's" voluntary self-effacement; Genius; Maturity and masterpieces; A modem problem
II-The method of solution; Stages outlined.CHAPTER III - THE AUTHOR: SOME GENERAL FEATURES
CHAPTER IV - THE AUTHOR: SPECIAL CHARACTERISTICS
CHAPTER V - THE SEARCH AND DISCOVERY
CHAPTER VI - CONDITIONS FULFILLED
CHAPTER VII - EDWARD DE VERE AS LYRIC POET
CHAPTER VIII - THE LYRIC POETRY OF EDWARD DE VERE
I-Six-lined stanza; Central theme; Personality; Haggard hawk; Lily and damask rose; Love's difficulties; Love's penalties; Mental distraction
II-Interrogatives; Stanzas formed of similar lines; A peculiar literary form; Loss of good name; Fortune and Nature; Desire for pity; Echo poems; Romeo and Juliet; The Lark; Tragedy and Comedy.CHAPTER IX - RECORDS AND EARLY LIFE OF DE VERE
I-Reputation of the Earl of Oxford; Reasons for concealment; The shadow lifting; Need for reinterpretation; False stories
II-Ancestry of Edward de Vere; Shakespeare and Richard II; Shakespeare and high birth
III-The Earls of Oxford in the Wars of the Roses; Shakespeare and the Earls of Oxford; The Great Chamberlain
IV-Father of Edward de Vere; Shakespeare and Father worship
V-A royal ward; "All's well", aremarkable parallel; Education; Arthur Golding's Ovid; De Vere and law; Life and book-learning; The universities; Relationship with the Cecils; General experiences; Dancing; Shooting; Horsemanship; Early poetry.CHAPTER X - EARLY MANHOOD OF EDWARD DE VERE
I-Marriage; Sordid considerations; Oxford and Burleigh; Burleigh and literary men; Burleigh's espionage; Hostility; Raleigh; Desire for travel; Unauthorized travel; Visit to Italy; Shakespeare and travel; Oxford in Italy
II-Domestic rupture; An Othello argument; A sensational discovery; Kicking over the traces; Burleigh's methods of warfare.CHAPTER XI - MANHOOD OF DE VERE. MIDDLE PERIOD. DRAMATIC FOREGROUND
I-Gabriel Harvey; Holofernes; Oxford and Berowne; Philip Sidney; Boyet; Eccentricity; Vulgar scandal
II-Dramatic activities; Anthony Munday
III-Agamemnon and Ulysses; Troilus and Cressida
IV-Lyly and the Oxford Boys
V-Shakespeare and Lyly
VI-Apparent inactivity; Spenser and De Vere; Spenser's "Willie Shakespeare and "Will."CHAPTER XII - MANHOOD OF DE VERE. AN INTERLUDE
CHAPTER XIII - MANHOOD OF DE VERE. FINAL PERIOD
I-Material difficulties; Second marriage; An important blank; Shakespeare's method of production; Dating the plays; Rapid issue; Dramatic reserves; Habits of revision; De Vere a precisionist; State plays and literature
II-Plays as poems; Henry Wriothesley a personal link; Contemporary parties; Southampton, Bacon and De Vere; Death of Queen Elizabeth; The Boar's Head Tavern and Gadshill; Death of De Vere.CHAPTER XIV - POSTHUMOUS CONSIDERATIONS
CHAPTER XV - POETIC SELF-REVELATION. THE SONNETS
CHAPTER XVI - DRAMATIC SELF-REVELATION: HAMLET
CHAPTER XVII - CHRONOLOGICAL SUMMARY OF EDWARD DE VERE AND SHAKESPEARE
CHAPTER XVIII - CONCLUSION
APPENDIX I - THE TEMPEST
APPENDIX II - SUPPLEMENTARY MATTERS
The "Posthumous" argument; Oxford's Crest; Martin Droeshout's engraving; The Grafton portrait.